Henri Rousseau's "The Dream" (1910):
The objects in this Post-Expressionist paintings, with the inherent magic that Roh attributes to them, may be considered secular analogues to the Baroque interpenetration of human and divine, material and miracle.
The objects in this Post-Expressionist paintings, with the inherent magic that Roh attributes to them, may be considered secular analogues to the Baroque interpenetration of human and divine, material and miracle.
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