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Showing posts with label BRITISH. Show all posts
Showing posts with label BRITISH. Show all posts

Thursday, March 1, 2012

Mary Edwards, Frick Collection

British Paintings - CLARE WINSTEN

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Lady Lilith 1868

Rossetti; Lady Lilith


Lilith is a demon associated with the night. She is said to have been Adam's first wife, whom he left for Eve. In another painting, Rossetti shows her vengeance on Adam and Eve.


Comment on striking features of the picture.


Dante Gabriel Rossetti (1828-1882)

The Lady of Shalott c. 1860

Hunt,The Lady of Shalott


The picture illustrates a scene from a ballad by the romantic poet Alfred Lord Tennyson The Lady of Shalott


This lady lives near King Arthur's court; she is under a curse and must weave a tapestry of the view from her castle window which she is only allowed to look at through her mirror. When the handsome knight Sir Lancelot passes by, she looks at him directly: the curse descends on her. She dies in a boat which takes her body to Camelot.


The topic and the execution of the painting are typical of the Pre-Raphaelite painters with their interest in the mediaeval period, which they perceived as a better one than their own, and their scrupulous attention to detail.


William Holman Hunt (1827-1910)

The Fighting Temeraire Tugged to her last Berth to be Broken up 1838

Turner, The Fighting Temeraire


The Temeraire was Admiral Nelson's flagship in the famous battle of Trafalgar of 1805, which was fought against the French and Spanish fleets. Nelson won the battle but lost his life.


Comment on the emotional qualities of the painting.

The Burning of the Houses of Lords and Commons 1834

Turner, Conflagration

J.M.W. Turner (1775 - 1851)

Pan and Psyche 1872-74

Burne-Jones, Pan and Psyche

The Pre-Raphaelite painters were interested in mythology: Pan was the Greek god of shepherds and huntsmen; he had horns and the legs of a goat. He invented the flute.  Cupid, the god of love, is charmed by Psyche, a king's daughter; he visits her secretly at night but forbids her to look at him. She does so, however, whereupon he leaves her. She wanders the earth in search of him, subjected to much suffering by Venus until Jupiter takes pity on her and reunites her with Cupid. 


Edward Burne-Jones (1833-1898)

Stonehenge 1836

Constable, Stonehenge


The huge structure near Salisbury (unrestored in Constable's time) was built about five thousand years ago : it was a temple of the sun and the moon. The designers were excellent astronomers and ingenious organisers and builders.


Comment on the skyscape, and on the composition of the painting. Compare it with the picture of Salisbury Cathedral.


John Constable

The Glebe Farm 1835

Constable, The Glebe Farm

John Constable

Salisbury Cathedral from the Meadows 1831

Constable, Sailsbury

John Constable

Parham Mill at Gillingham 1826

Constable, Parham Mill


By 1826, water mills were giving way to the sort of 'mill' painted by de Loutherburg in Coalbrookdale at Night, to the factories with their steam-driven machinery.


Comment on the impression created of English rural life.


John Constable (1776-1837)

Oberon and Titania with their Train (Shakespeare, A Midsummer Night's Dream V)

Blake, Oberon, Titania, Elves

  Fuseli's subjects - folk mythology and the Shakespearian world - are  Blake's subjects, too.  But Blake was also a poet inspired by biblical narratives and by a mythological world of his own creation.

Titania Embracing Bottom (Shakespeare, A Midsummer Night's Dream IV,1) 1792-93

Fuseli, Titania and Bottom

    This play is a comedy. Titania, queen of the fairies, has had magic ointment put on her eyelids while she sleeps; this makes her fall in love with the first person she sees on awakening. That person happens to be a human being, Bottom. He is a weaver who has gone into the wood with his friends to rehearse a play in which he wears an ass's head.

The Nightmare 1781

Fuseli, The Nightmare

John Henry Fuseli (1741 - 1825)

Six studies of a cat 1765-70

Gainsborough, Studies of a Cat

The Artist's Daughters with a Cat 1759-61

Gainsborough, The Artist's Daughters (2)

The Artist's Daughters chasing a Butterfly c. 1755

Gainsborough, The Artist's Deughters (1)

The Marsham Children 1787

Gainsborough, The Marsham Children

Mr and Mrs Andrews 1748-49

Gainsborough, Mr and Mrs Andrews

Thomas Gainsborough

Mary, Countess of Howe 1764

Gainsborough, Countess Howe

Thomas Gainsborough
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